Please submit any Amateur Radio related news or stories that you would like to see, here on eHam.net. Ultimately, though, much of the fun of acquiring a new radio is the experimentation with its many features. You can follow this on Page 61 of the FT 950 manual. How's my audio? Menu 83 : 3000 (TX bandwidth) . Low end, Mid Range and Highs. It is clipping the mic pre amp. Many calls a day come through the Heil Sound facility with RF issues.". All ICOM transceivers utilize phantom power on their microphone inputs. The Yaesu FTDX 1200 TX eq and processor setup guide. Wide is 2.9 kHz. Note that power output meter will show lower power as bandwidth is increased; this is normal, reflecting lower power density per Hertz of passband.FT-1000MP Series (including Mk-V and Field)Menu 5-9: 6.0Menu 7-7: Set SSB-T to 300-3100 Hz for DX/Contest, 100-3100 Hz for more fidelity.Menu 4-4: Set to OFF while setting Menu 7-7 to your liking, then try each selection (1 through 4) while listening in a separate receiver to see if any of these improve your voice signals characteristics. . Set to 3000. We have explained one filter. 8-pin Round (IC-730/735/745/751/761/765/720/725/726/728/781/901/910/3200/7700/7800 etc. Please submit any Amateur Radio related news or stories that you would like to see, here on eHam.net. Be sure to read the chapter "Parametric Microphone Equalizer" in your YAESU transceiver operating manual. Also, you dont have the benefit of hearing all the net effects of AGC, etc., like other stations receivers, are employing. These products require a bias voltage to power their internal F.E.T. Equalization settings:Normal conversation Bass -1 to +1 Treble +3DX and contest use Bass -3 Treble +4These are merely beginning settings. You can adjust the parameters of the microphone audio. You must listen to yourself through it monitor system or through a nearby receiver and headphones. Great receiver, full coverage .3 to 30 mHz, works great on AM, the digital modes, a terrific CW transceiver, DSP, etc. The assignment numbers are different but the levels are the same. The first step is to disconnect the antenna on your monitor receiver. In my case I used a modified Yamaha CM500 electret condenser mic with a frequency response of 100 Hz to 20 kHz.As is, the CM500 output is 150 mV (batteries installed). You then will tell the filter to roll that off or notch that 200 Hz. That will be good for starters. Click hereto view pinout information for hundreds of rigs, mics, and connectors. Keep in mind the iC elements were designed specifically for the early iCOM rigs with low mic preamp gain. If Using external EQ, turn internal OFF. The bandwidth in which youre listening probably is restricted, so you might make adjustments that over-compensate for this, leaving you with too much treble, too much bass, or both! There is usually some craziness that happens around 400 Hz. Listening to the monitor mode I'm not hearing it but then again, I'm not at the other end of the transmission. You would want to start by keeping that bandwidth to the halfway point. with the audio signal level adjusted to get 100 W RF with no ALC deflection. With parametric EQ you can change the parameters of the EQ system. The site will be something of which everyone involved can be proud to say they were a part. Or leave it off. Key the rig just long enough to take a reading. This is going to reduce that significantly. A 10:1 voltage divider was added. If you dont do that, all of these settings go back to zero. It is the only way you will absolutely know how you sound to the outside world. The mid frequency is very important. Available Values: 1 ~ 10 Default Setting: 1 FT-950 O Page . Parametric Eq frequency/level/bandwidth settings are; 200/9/5, 1500/5/5, 2700/5/5. I don't know why the well-known commercial adapter maker doesn't do this. Mic Gain: Set to 50% for iC elements, 80% for dynamic elements. YOU have to make the final decision by listening to your own signal. The all-important issue is the third filter where you achieve speech articulation. Well after reading the article it makes me scratch my head and ask myself WHY? "Set filter one to 200 Hz. Transceivers are well over $1000 as the normal. You then know exactly how you sound to the outside world. *Pin 6 also carries voltage for the electret elements used in Icom mics. Contact the site with comments or questions. Set EQ3 Frequency to 2100 Hz, EQ2 Level to +10, and EQ3 Bandwidth to 2. This element is found in products including the iCM base station microphone, the Handi Mic iC, the Pro Set iC, Pro Set Plus iC, BM-10 iC, and the Classic iC but the HEIL iC electret will not work on Kenwood or Yaesu which require only our dynamic elements found in our microphones and headsets. Keep in mind this will have much more output and may overdrive the mic preamp so keep ALC in range.See pages 13 and 20 of the K3 Operating Manual. However, the process became a hobby in itself. Yep, see what Yaesu says. This is too much work for a headset! As mentioned above, be sure the main switch of the MD-100 is set to THRU to bypass any in mic settings and to use only the rig's settings. INITIAL SETTING OF THE FT 950 and HEIL PR microphoneFirst, you need to set the transmit bandwidth. This reduced the audio level to 15 mV. Listen on your monitor receiver to be sure the audio quality is what you are trying to achieve. There are many inter-dependent adjustments on the K3, and the setup instructions on those pages are excellent. This project involves a management team of volunteers who each take a topic of interest and manage it with passion. Microphones like the GM series, Heritage, Classic 4/5 Handi Mic 4/5, and the HM-10 Dual sound great on modern Icom rigs. eHam.net is a community web site for amateur (ham) radio operators around the world. TS-950SDXMenu 20 (DSP 1 HPF): 100Menu 21 (DSP 1 LPF): 3100, TS-570Menu 13 (Bandwidth): 2.4 kHzMenu 14 (TX EQ High Boost): HMicrophone Gain: 50 (Default Level), TS-870Menu 29 (Bandwidth): 3000 HzMenu 30 (Bandshift): 0 or 100Menu 31 (TX EQ): H or CMenu 32 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level)Menu 22 (Mic AGC): 1 (but try 0 and 2), TS-2000Menu 22 (Bandwidth): 3000 HzMenu 21 (TX EQ): H or CMenu 20 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level). HT 3-pin 3.5 mm Plug (All VHF/UHF HT except TH-F6/7*)Tip: +4VRing: Microphone InShaft: PTTNote: Ground is sourced from the shaft of the 2.5 mm plug.Heil Sound is investigating interfacing issues on these models at the present time. There are too many external path things which can botch up your signal, and those issues can't be corrected on your end. For use on earlier Icom 8-pin (round) equipped rigs, use the HSTA-I8 adapter cable. You will see a frequency analysis of your voice using your mic. We highly suggest our dynamic element microphones (HC-7, HC-5.1 , HC-6, Goldline GM series or PR-781 type). A friend of mine wrestled with his FTdx101D and PR-781 for a week. DSP and Carrier Point SettingsYaesu has, since the 1980s, provided means for adjusting the carrier insertion point (identical to IF SHIFT used on receive, only this is on your transmitted signal). Notice your voice frequency profile where the dB levels go up & down within your vocal response. In each of the audio bands (low, mid, and high-frequency areas), you can set the center frequency, amplitude, and bandwidth of equalization. It is clipping the mic preamp. HEIL ICM electret Condenser on the YaesuAll Yaesu transceivers are set up to use low gain, passive dynamic microphones into their high gain microphone preamplifiers. Our new cable CC-1 XLR-BAL (with an ORANGE, not traditional Yellow boot) connects our balanced output microphone into the balanced input and has solved 100% of the RF issue for so many FT 950 as well as other new model Yaesu users. Compression: Adjust for ALC mid-scale on voice peaks. Thanks to GM0ONX for this drawing. A narrow receiver bandwidth impairs your ability to get the full picture. Yaesu FTDX-10. Check with your Owners Manual for the menu numbers for your particular transmitter. They unbalance that 8 pin round mic connector input with their typical Pin 8, pin 7 connections. This allows the operator to roll off lows, or roll-off highs, to change the articulation or bass response of your voice wave-form.Beginning with the FT-1000MP, DSP settings were added to many rigs, allowing the transmit bandwidth to be varied, and additionally, it was possible to perturb the envelope to do things like peaking both high and low while putting a null in the center of the transmitted passband, etc.It is impossible for us at Heil Sound to know what settings will sound best on your voice, in your station environment, with your microphone, for your interest (DX, Contest work, rag-chewing, or maximum fidelity) The recommendations below are just starting points; listen to yourself in a separate receiver (with its antenna disconnected) to determine what sounds best in your unique situationFT-2000/3000/5000/FTdx9000 FT 950, FT 3000, FT 1200. "How's my audio" is commonly heard throughout the HF Bands these days. The Elecraft operation manuals are the best in the business and we highly recommend you read them thoroughly before making any adjustments or operating the transceivers. Here is what needs to be added to the 8 pin connector to make that electret condenser work. Remember, you're at 100% duty cycle. Listen to yourself in the monitor receiver while transmitting; you may now try Menu 4-4s options. i will be getting my 950 this weekend and already have a heil handi mic with HC-4 element bought, these settings are a great starting point but i was wondering what is the most common settings to change to suit an individuals voice, for example my voice would be quiet bassy naturally. *Pin 1 also carries voltage for the electret elements used in Icom mics. Selection 2 emphasis high frequencies, while 3 cuts both low and high frequencies, emphasizing mid-range.Menu 25 (MIC GAIN): 85Menu 27 (Compression) 80Menu 64 (T LSB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work.Menu 65 (T USB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work. To build the largest and most complete Amateur Radio community site on the Internet - a "portal" that hams think of as the first place to go for information, to exchange ideas, and be part of whats happening with ham radio on the Internet. You do not need 8, 10 15, or a 31 band EQ when we are only dealing with a 3,000 Hz wide signal. Now, I am not telling you that this is the end all. Never see that even close to the red, Equalization: Normal rag chew conversation Bass: -2dB Treble + 4dB, DX or pileup busting audio Bass 5 dB Treble +5 dB, Compression: ON (if you desire) 10 oclock no more. Boosting 2400 Hz 8 dB. I used my Yaesu FT950 with the MD-1 mic which I had set on position 2. Anti-VOX: About 10% or where needed (keep in mind that the speaker level will affect this a lot). If there are any problems please let me know. Press SET > LEVEL, then scroll up to SSB TX Tone (Bass); rotate the main tuning dial to set the Bass to -2 for starters (-4 if using the PR-40 or similar mic with lots of bass response). A Parametric EQ usually has only 3 filters. most 1200s sound terrible. Leave them at factory defaults to get started; theyll set you up for a low-end cutoff of 300 Hz, and a high-end cutoff of 2700Hz. For more on the iCOM 7300 settings, see below. Odds are that, once you have WIDE set OK, the other two will be fine. Copyright 2023 Heil Sound Communications, Inc. Sad. You want to boost that frequency, you adjust it to + 10dB. I did have to make an aircraft mic to 1/8 stereo cable. I had an RF feedback problem with my old TS-850 when using a Heil BM-10 mic. To increase high-frequency articulation, without rolling off lows or mid-range, use selection 4.See page 81 of the Operating Manual for details. If you don't do that, all of these settings go back to zero. M 1 Yaesu EQ Settings on Yaesu FTdx 101mp/Ftdx10 You wil see my Settings there and i must say my TX Bandwidth is set to the first Frq is 200Hz and the high cut is 2800Hz so maybe FTdx-101. Boost it with that adjustment but it is best to reduce (notch) that low end a bit for cleaner and clearer audio. eHam.net provides recognition and enjoyment to the people who use, contribute, and build the site. The iCOM 7300 has been updated to work with all Heil Sound iCM. Edit: Yaesu MD-100: Main->Filt, High emphasis->on, low cut->off. Follow this guide for simple instructions on how to get your rig set up so that you sound great on the air. . Read the operating manual, especially on page 32, and then try out the many available bandwidths and equalization possibilities. #1. Now set the transmit bandwidth (either with compression on or off) to Wide, and transmit while you listen to yourself in the monitor receiver. So many times I hear stations with so much low end you cant understand what they are saying because they have not achieved good mid-range speech articulation. Low end, Mid Range, and Highs. I have noticed on my FT-950 that the Q of the filters appears to correlate with the BW number. You may need to shove a very short piece of wire (an unfolded paper clip, for example) into the antenna jack, depending on the shielding of your transmitters dummy load. Set Menu #13 (Bandwidth) to 2.4 kHz, and Menu #14 (TX EQ High Boost) to H for most applications. The three band parametric EQ in the FT-950 TX audio stage makes using your favorite microphone much easier to interface. Always adjust mic gain by watching the ALC meter. These rigs use a three-band parametric equalizer system. The speech processors of these rigs are very touchy. In this case, while setting up the MAIN: MIC SEL menu, tap [I] to toggle to LOW Mic Gain, and be absolutely certain that Mic Bias is off by tapping [2], as needed, to toggle to OFF for Mic Bias. Generally, the modulators of these rigs want you to roll off bass and enhance treble. Michael Salmi. A 100ft tower, a large beam, a 1500w amplifier and a top-of-the-line transceiver, then add more equipment so you sound great on the other end? Now, I am not telling you that this is the end all. Jeez that's sounds like an awful lot of work. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affectabout 150 to 250 Hz. First, you need to set the transmit bandwidth. Heil Mike Wiring. I think that many hams do not realize how versatile modern transceivers are in this regard. Option 3 frequently sounds the best, but each option does different things to different voices. 'Bandwidth' control set to a wider setting (say 10), the filter will encompass the audio frequencies from about 100 Hz to 400 Hz. Save your settings each time. The K3 utilizes the Kenwood protocol for connections to its front panel 8-pin mic jack, so use the CC-1-K for 4-pin XLR mics (GM Series, HM-10 Dual, and Handi Mic}, and use the CC-1-XLR-K for connection to 3-pin XLR mics (PR-781, etc.). Now we move onto the Parametric. RF power level = 100 W.Connect an audio signal generator to mic input. All of my Icom friends got the same headset when they tried mine! I have a microphone which has more output on the high frequency range than on the low end, so in order to make it sound balanced I needed to boost the 200 Hz range and cut the 2600 Hz range. The results have been gratifying for DX pileups and contesting. FTDXRC can help you to better optimize your TX audio settings with a visual equalizer tool. Hello all. Of course, the voice signal is AC, so DC flows one direction while AC flows the other direction all on the same cable. M0WBK 1.27K subscribers Subscribe 53K views 9 years ago EQ settings can be hard to get right. As mentioned in the Yahoo FT-950 group the 094 EQ 2 Freq does not go below 700Hz on my and other's FT-950's. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affect about 150 to 250 Hz. Heils Amateur Radio specific microphones (non-3 pin XLR) have a 1 F capacitor installed. Without the original microphone, you will have to use an outboard preamp such as a W2IHY or a small mixer/preamp. I would like to hear from anyone that has duplicated this process. Good info, also if you have the free Yaesu PCC-950 rig control software you can setup and save the EQ settings in graph format. If affects just a small 'slice' of the audio if the bandwidth is set to a narrow number or setting. You want some big boomy low end? Set the transmitter bandwidth and then adjust the equalization for the audio response you desire by listening to your signal. This voltage must be blocked for use of Heil Sound dynamic elements. Many calls a day come through the Heil Sound facility with RF issues." You only have control to either cut or boost the filter frequency they build into the transmitter. for different settings and have multiple transmit profiles for quick access. It ain't rocket science. On Yaesu FTDX 3000 (and similar radios), please try the following settings for the compressed mic menus, which are 159 to 176 on the FTDX3000: P-EQ1 FREQ 200 (adjust the low bass freq center point in Hz. Set the TX BW to 400 -2600Hz for DX/Contest work. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. SMOKE CITY!!! You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. We have explained one filter. At least that is how my radio works.I think the article explains it the other way. Set up all the EQ settings to the Heil recommended settings even if you are NOT using his mics. This is pretty cool until you start having RFI problems, but we shall ignore that possibility for now. I use Audacity for making contest recordings. Oddly, the word gain doesn't appear in the text. The K3 also has an ESSB mode, with a wider transmitted bandwidth for high fidelity operating. Now that I'm comfortable with general operation I'd like to tweak some of my settings to improve audio quality (mainly RX, TX sounds good with just mic gain). For stunning hand mic performance theHMM-iCwith the AD-1 i. You then will tell the filter to roll that off or notch that 200 Hz. NOW DO NOT FORGET TO SAVE these by holding the menu button for 3 seconds. You do not need 8, 10 15, or for heavens sake a 31 band EQ when we are only dealing with a 3,000 Hz wide signal ! These are easy to adjust in seconds. This will determine where to cut or boost frequencies with the Eq turned on to obtain an overall full spectrum audio within the limitations of the radio transmit bandwidth & your voice/mic frequency response.In my case I needed +9 dB @200 Hz to get the power up to the same level recorded @1 kHz. Here are three EQ settings for the K3 and KX 3. RE: Setting Up The YAESU FT-950 TX EQ; I used my Yaesu FT950 with the MD-1 mic which I had set on position 2. Press the (PROC) button momentarily so MIC EQ shows up in the display. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. Bob helped Yaseu design the parameters for that rig, and others. And the second good read is YAESU specific: "All Things Yaesu". Bandwidth Q 5 Menu 096 Bandwidth FT-100Menu 16 (MIC EQ): Set to OFF initially. - YouTube 0:00 / 8:38 Yaesu ftdx1200 EQ settings & W2IHY. Don't forget to push and hold MENU for 2 seconds to exit and store new settings ! In this section there is a section for the FTdx-3000. I spoke into the mike at a normal voice level from about 6 inches away. Hold it for three seconds to change one. W3RJW 2/12 Internal EQ Settings in PowerSDR: EQ 10 Band (internal settings) External EQ recomended. A Parametric EQ is just as the term implies. These rigs use a three-band parametric . Set EQ1 Frequency to 200 Hz, EQ1 Level to -10, and EQ1 Bandwidth to 1. Mic EQ: off. Options abound as how to tweak transmit audio to a precise sound. Second Filter 400 Hz Menu 094 Frequency ); in this case, set the MAIN: MIC SEL selection to RP (Rear Panel). The coupling capacitor is NOT installed in our new high-impedance GM VINTAGE microphone, as this model should never be used with ICOM low impedance inputs. The all important issue is the third filter where you achieve speech articulation. I use the RA200 with an Icom 7300 and get great results with no "dog house" box. I used a PROC level of 25 and the mic gain to the 11 o'clock position. Set the SSB TX Bandwidth to 200-2800 Hz for high-fidelity rag-chews, or to 400-2600 Hz for DX work. Set menu 11-09 {SSB TX BPF} to 100 - 3000PRC = ON and set to 40 %MEQ = ONMicrophone gain set to 20 %MH-31 Microphone switch set to pos 1The settings are mad. I'm getting comments that my mic gain is ok but too much bass in my voice. Set Menu #29 (Bandwidth) to 3000 Hz; set Menu #30 (Bandshift) to 100 to roll off some Bass response, and set Menu #31 (TX EQ) to H for DX work, or leave it at C for local rag-chewing. N5TGL, I know that it may seem counterproductive to make a cut a 400Hz, but that is the way it seems to work with many SSB transceivers. Sign In Upload. All of the late model Yaesu starting with the FT 9000 through the 101 uses the same Parametric equalizer. I would try 200 - 2800 first. Start by downloading www.audacityteam.org , a free audio software program. Start with Menu 4-4 (TR EDSP) set to off. Pin connections on iCOM rigs are very straightforward and are shown below. Great piece here! Big enough that it could also cut the second filter, even with a Q of 5. If there are any problems please let me know. are particularly well suited for these rigs, and particularly so in the case of the FT-950. Boost it with that adjustment. INITIAL SETTING OF YAESU Parametric EQ and HEIL PR Microphones. There are parametric EQ's in several Yaesu rigs, and it's great to have a good explanation of how they work, and how they should be set up for "communications audio". The above settings are for normal operation. The first thing to set with any transmitter is the transmit bandwidth. My guess is Yaesu will assist with their hand mic but you'll be on your own with the Heil . heilhamradio.com lists some Parametric settings (MIC EQ and PROC OFF), but none for P Parametric (MIC EQ ON and PROC=35). The first low-frequency filter removes all of that low-end bass that destroys so many signals. Other than that, I left all the settings at the standard defaults which came with latest version of the firmware installed at the time. CUT that filter -15 dB Menu 092 Notch or Boost Icom HF rigs fall into three distinct categories, as far as microphone interfacing is concerned. Before you can set up your rig, you need to think about what you are trying to accomplish. You then know exactly how you sound to the outside world. Second, are the low-gain models (earlier designs like the IC-735/745/751/761/765/781, non-Pro 746/756, all 706 models, and the 7000, 7100, and 7200. Up 'til then his audio was muffled, muddy, and a mess. Pay attention to the ALC.Compression On at, 1 or 2. The table that follows details starting points for operation using two main categories of mics: the articulated elements (HC-6, HC -7 and HC-5.1 based mics), and the wide range elements, typified by the iCM, Handi Mic iC, PR 781 and the PR 20/30/40 genre. See pages 13, 17 and 20 of the K3 Operating Manual for more details. Maybe older firmware had different EQ freqs? SSB-TX-Bandwidth (TX BPF SEL) 100-2900. :) The Heil cable CC-1 XLR-BAL (with an ORANGE, not traditional Yellow boot for early models) connects our balanced output microphone into the balanced input and will help reduce any RFI issues. Orders only: Toll Free: 877-739-2449 Land Line: 845-889-4253 [email protected] W2IHY Technologies Inc. 19 Vanessa Lane, Staatsburg, NY 12580 CQ Region 21 Dealer. Back to the radio. 8-pin Round (All Models)Pin 1: MicPin 2: PTTPin 7: Microphone GroundPin 8: PTT Ground, 4-pin Round (TS-120/130/700/520/530/820/830, TR-2200/7200/7400/7500)Pin 1: Microphone InPin 2: PTTPin 3: PTT GroundPin 4: Ground, 8-pin Modular (TS-480, VHF/UHF Mobiles)Pin 3: GroundPin 4: PTTPin 5: Microphone GroundPin 6: Microphone In. The third control of the filter is either or +. We discussed the built in EQ on the FT-950. there's an adapter that plugs right into the radio. Thats getting the most from your rig? If you try to use the AD-1-iC or AD-1-iCM adapter cable on a dynamic-element microphone, the lack of a blocking capacitor will cause the element to seize up, and no output will be heard. Just put the connector on, and set Mic gain, and tweak the EQ wearing phones and listening to the Moni channel. Here are the menu assignments for the FT 950. Try 200 2800 first. Some nasty-sounding stuff, not to mention the deleterious tissue-heating effects on everyone so exposed. You can adjust the frequency, the bandwidth and tell those parameters to either notch (-) or boost (+). This HAS to be shown as it turns the parametric EQ on. Wide transmit bandwidth. For SSB you will want to 'massage' that low end. I personally LOVE audacity for QC and monitoring purposes. The TS-590S does have a very sophisticated software-programmable equalizer system, but thats not required in order to get on the air while sounding great. Once you understand how a parametric EQ works it's pretty easy. The most important thing is to achieve a nice balance of lows, articulate mids, and crisp highs. Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. So this parameter can't actually be used as published. Save the file. Sometimes, you will have too much low-end audio from the microphone that actually overloads the mic preamp and sounds like RF but it may not be. This allows you to set your processed audio up for DX if you wish without disturbing your rag chew settings. The K3 includes a versatile 8-band transmit equalizer, which is adjusted separately from the receiver equalizer. Jeez that's sounds like an awful lot of work. In the menu go to Radio Settings. The second adjustment is the Bandwidth which is set in the traditional audio nomenclature of octaves. FTdx101mp EQ Settings maybe there is some one can use these settings and this is helpfull for the beginning. there's an adapter that plugs right into the radio. For best results please consult your manual. The 'all controls set to 70% of maximum' mentality has been there all along, but the changeover from v.t. THE BASICS: YOUR OPERATING PREFERENCES AND YOUR MICROPHONE. Third filter 2400 Hz Menu 097 Frequency eHam.net is a community web site for amateur (ham) radio operators around the world. Now we move onto the Parametric. Proc level: 20. With my Heil GM-5 I has the mic gain on the FT-950 set at 14 percent. For digital signals, Audacity works the same way. No one else can make the adjustments. Set the Transmit Bandwidth to Wide (100-2900 Hz), and you will be the talk of the band! Use one of our PR series professional balanced output microphones with the 3 pin XLR. The iCOM 718 is a terrific value. Transmit filter: Set to WIDE for fidelity, MID for everyday operation, and NAR for DX pile-up busting. They have similar audio tailoring systems. Vertical antennas and indoor horizontal antennas in close proximity to poorly shielded modern amateur transceivers. TRANSMIT BANDWIDTH (TBW) This is confusing, but very important when trying to determine the type of transmit audio you desire. The next step is to turn off the Noise Blanker and any DSP Noise Reduction systems, as well as any DSP bandwidth or shaping features such as Yaesus Contour control). Connecting a dynamic into your mic input will provide a nice short of the +8V DC power straight to ground. CUT -6 dB Menu 095 Notch or Boost The K3 also has provision for direct connection of the mic cable from a Heil Sound headset, with no adapter required (! Bob Heil introduced me to Parametric Equalizers back in the '70's when he built some custom concert sound racks for my band in his magic little factory in Marissa, IL. Monitoring of your signal is particularly important when setting Menu item Q4, which has a huge effect on your transmitted tonal quality. They have lots of bass, no mids, no articulate highs so they end up sounding like mush. See the FTDX10 FUNC > OPERATION SETTINGS > TX AUDIO settings. Yaesu FT-9000 TTBF Settings for eSSB: (4kHz BW) 1) Turn off the 9000 via front panel switch. I would shift that down to 100hz, and then only do a 10 dB cut. Whoever is listening is going to add their interpretation of "good" sound. 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yaesu equalizer settings